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January 2010


 

January 24, 2010

Sheer Reinforcement

I am working on a garment for myself this weekend which is fairly fitted (think basic shell) in the upper areas and requires a side seam zipper. The fabric is a crepe and the garment will be lined with silk charmeuse (a luxurious lining and one of my personal indulgences!) I wanted to add a little extra support in the zipper area, so used some narrow remnant strips of silk chiffon and basted them on the reverse side of the fabric before inserting the hidden zipper. On the right sideseam of the garment (zipper is on the left sideseam), for about 2" down from the underarm area, I thought that I would like a little extra support for the seam since when you pull on such a garment, there is inevitably a little extra stress in this area.

Here is my trick: Pin the garment sections together in preparation for stitching the seam. Then place a small piece of chiffon (2"-3" wide) over the same area and pin through all layers. If the raw edges are even, that is fine, but it does not matter. Stitch the seam through all layers. Then press the chiffon over the seam allowances and off the fabric (picture 1 above). Then just serge off all the excess when you serge the seam. (picture 2 above) Click either picture for a larger image This method in on one side of the seam only. If you had a very fragile fabric, you would need to use a China Seam or other method to reinforce both sides at once, but this method works great when you just want to add a little extra insurance quickly and easily. You could also do this to both sides of the seam since the chiffon is so fine.

Silk chiffon is so lightweight and soft and nice again your skin, that this reinforcement will never be felt and will not change the drape of the garment at all.


January 18, 2010

Stitching an Elastic Waistband

Are you avoiding elastic waistbands because they are too bulky? Mastering the technique of stitching an elastic waistband instead of using a casing will greatly reduce the bulk, a LOT. You will need to do a couple of test waistbands to determine the exact length to cut your elastic, but once you have it figure out, it will always be the same. That being said, you should always stick to the same type of elastic, i.e. pajama elastic is NOT the same as polybraid elastic (the generic kind found at all fabric stores). Here are the basic instructions, so give yourself a treat and spend an hour or so mastering this technique and you will be happy you did!

Cut elastic about 3” shorter than finished waist measurement. Overlap ends about 3/4” and stitch together. Divide elastic into 8 even sections, using straight pins to mark divisions. Divide skirt into 8 sections as well. Match the pins that you used for marking the divisions and pin the skirt to the elastic with raw edge of skirt even with edge of elastic and the right of the fabric out (back side against elastic). Zig-zag stitch (default width and length) the skirt to elastic along raw edge, pulling just until the fabric matches the elastic in length. Fold elastic and fabric down and pin about every 2”. Zig-zag along lower edge (over previous stitching) to finish attaching elastic.

Like most things, practice makes perfect. Also - the amount of thread stitched into the elastic is a factor in the finished measurement (and therefore comfort) of the waistband. Why not plan on a few testruns - after 2-3 times you will be a master at the technique and will have also figured out the perfect length to cut your elastic so you like the finished product. Always purchase the same kind of elastic, though - different types will stitch out differently. Also. . . different widths of elastic will finish out differently, i.e. 1/2" elastic cut at 25" will not finish out the same length as 1" elastic cut at 25". This is because of the ratio of thread that you are putting into the elastic -- the more thread, the bigger the finished elastic. Make careful notes if you use different widths of elastic.

Click each image for a larger picture
Elastic pinned to Waist Elastic stitched to raw edge
Elastic being zig-zagged
to raw edge -
Elastic is under fabric
Finished Waistband

 

   

 


January 15, 2010

Yet Another Aquarius Jacket

I'm being a little quiet for a couple of days - am working on yet another (this makes 8) Aquarius Jackets for one of my shops. I think I can do these curves and points in my sleep by now! The picture shows the jacket as worn, but this makes such a great wall hanging, I think I may have to make one for myself for the wall in my studio! I should be finished over the weekend and back to other projects.

 


January 11, 2010

Thread Research for Serger Rolled Edge

I'm working on a new pattern (the Wisteria Pullover) which has some edges that would be just perfect for decorative rolled edges done on a serger. I'm fortunate to have 2 sergers and have been planning on taking time to set one of them up as a rolled edge machine so I wouldn't have to fiddle with the tensions everytime I wanted to do an edge (let alone moving the needles, etc.) Today was finally the day and after getting the machine all set up, I dug through my collection of threads and starting running some tests with the various threads to see how they would look when used for the rolled edge. I should note that I am using a 3-thread method (1 needle thread and 2 looper threads).

I wanted to see which thread would provide the best fill rate, but I also wanted to see what regular threads would look like, since they are easily available in a wider color range and are usually on hand anyway.

The results using the various threads are at the right. On some of the pictures there is a shadow, please disregard and just look at the thread fill pattern of the thread. The images are greatly magnified, but you can click and see an even larger image :-)

After running all the various tests, I still wasn't happy with the results. I had the machine set on the very shortest stitch it would take (1) and I still was not pleased with the fill rate. Yes, the wooly nylon has a slightly better fill rate, but there are very few colors, I do not normally stock it, and I really have some doubts about the durability on an outer garment. Then I had an epiphany!! I disengaged the knife, put on much stronger glasses and very carefully ran the serged edge back through the serger for a 2nd pass. Fabulous!!! It did take me a couple of trys to get the hang of it, but I absolutely love the result. The last 2 pictures show regular cone thread (the navy blue) and polyester sewing thread (red) that have been put through the serger twice.

My final (and personal) opinion was that I liked the wool/acrylic, cone thread and the regular thread. All had about the same fill rate on a single pass through the serger, but all responded well to a 2nd pass with the knife disengaged. I obviously have a LOT of regular thread and cone thread on hand, so I expect these will become my standards. If I had to pick one single thread, it would be regular, plain 'ole sewing thread. It's handy, it's cost effective and it's durable. Works for me!

One caveat would be the extra weight created from the 2nd pass through the serger. It did not seem to make a difference at all on the lightweight shirting I was using for a test in the last couple of samples (white fabric), but if you were working with a sheer or very lightweight fabric, you would definitely want to do a test swatch.

Oh, and one final comment. If you are doing outer curves, starch the fabric a LOT, and then starch it some more! Crunchy is good. You can always wash the starch out when you have finished the garment.

 
Regular sewing thread (polyester) in needle and both loopers
   
 
Machine Embroidery Thread in both loopers. Regular thread in needle.
   
 
Wool/Acrylic Blend (Renaissance brand or other similar)
in Both Loopers. Regular thread in needle
   
 
Acrylic Floss in both loopers. Regular thread in needle. This thread has a shine to it, but the fill rate was about the same as the wool/acrylic blend. It is also thicker, too and the final result is not very pleasing.
   
 


Button Thread in both loopers. Regular thread in needle.
Result was coarse (as you would expect) and completely unsatisfactory, but I had to try!

     

Cone (serger) thread in both loopers and in the needle. On a single pass, it was definitely not what I was looking for.
 
Pearl Crown Rayon in both loopers and regular thread in the needle. Very coarse effect and NOT cooperative as it bunched up quite often.
     

Cone (serger) thread in both loopers and in the needle - but this was a 2nd pass through the serger (with the knife disengaged) going over the first row of thread. Much Better!
 
Wooly Nylon in both loopers and regular thread in the needle. I always hear how great this is, but I'm not so impressed. It does have a better fill rate because it 'fluffs' up, but it's soft and won't hold a true edge on an normal weight fabric. I'm also concerned about the durability.
     

Eureka! This was regular (polyester) sewing thread in both loopers and in the needle -- 2 passes through the serger. This picture is greatly enlarged - in real time, this looks great. Actually I got a little wide on the 2nd pass which is why you can see the fabric through the threads. It takes a little practice. I will say say that I cannot really see much difference in the cone thread (Maxilock) or the regular sewing thread (Gutermann) - both look great when passed through the serger the 2nd time.
     

 

January 9, 2010
This was in Bren's Bits and I have already received emails asking for it, so here you go . . . .

A Different Way to Insert a Fly Zipper

If you hate putting in fly zippers - and wish you could find a better, faster, and easier way, give the following method a try. .
1) With front raw edges even, and right sides together, pin the Pants Fronts together at the center front. With very long stitches, baste through all layers from upper edge, down center front line and stopping at lower dot.
2) Machine stitch the fronts together from lower dot to notch in curve (not all the way to the inseam). Stitch again at 3/8” as this is a high-stress area and the extra stitching will prevent seam stress. You ‘can’ clip the curve to the stitching line - or you can plan on trimming the seam and zig-zagging edge later to finish seam - I do not clip, but prefer to trim and zig-zag later.
3) Press flys open lightly - with fingers or a light touch of the iron.
4) Lay the zipper face down with the zipper base (metal stop) even with the lower dot and the outer edge of the zipper tape along the center front seamline. Note: These instructions are for ladies’ pants - for men’s pants, lay the zipper to the right of the seam and do all instructions in reverse.
5) Pin the zipper to the fly extension only. Machine stitch the zipper tape to the fly extension about half-way between zipper teeth and edge of zipper tape.
6) Fold the zipper back, smooth out the fly extension and top-stitch through all layers close to folded edge - making sure to keep far enough away from zipper teeth so they don’t catch. Now for the tricky part . . .
7) With the wrong side of the pants up (towards you), grasp the zipper tape in your right hand and gently pull toward the right until the fly extension is smooth.
8) Baste the zipper (yes, by hand!) through all layers. Make sure your basting thread is just below the base of the zipper (this will tell you where the base is when you look at the front). I always baste ‘very’ close to the edge of the zipper tape - this tells me exactly where the edge is when I turn the zipper over to top-stitch.
9) Turn the Pants over - with the right side up. Using a straight edge (I use a clear ruler) and a removable marker, draw a line just inside your basting (on the vertical section) and just below the basting that marked the zipper base - curve over toward center seam - making sure your line clears the base of the zipper.
10) Machine stitch along your guideline. Remove basting.
Note: You can also stitch-in-the-ditch a few stitches along the center front seamline - up the opening of the zipper to add extra reinforcement during wear.
Another note: If you want the additional flap under the zipper (like men’s wear), remove the center front machine basting before Step 6, place a prepared flap under the zipper teeth and top-stitch all layers together. Then pin the zipper back together and proceed with garment assembly.


January 4, 2010

A Bar-B-Q Shirt Goes Couture

My husband loves BarBQ and he loves brightly colored shirts, so when I saw this fabric in a quilt shop recently I HAD to have it. I glanced at the fabric, noted that it was directional, but figured the only place I was going to be picky about placement was the center front and the repeat was fairly small, so I only added 3/4 yard extra. You would have thought that was enough!!

When I got finished cutting out the main garment pattern pieces, believe it or not, I could NOT find a piece large enough for a patch pocket on the front that would match with the print -- and I have a big hangup with patch pockets not matching. I don't like them on my personal garments, but hubby actually uses them and wants them on his shirts. That's fine, but I don't really want to "see" them, so I always match them so they disappear into the surrounding fabric. But try as I might, there just wasn't the piece I needed left over in the scraps. I even tried to find a complete BarBQ Sign so I could make it a patch on a piece of solid black, thinking that I could live with the black border and repeat the black with buttons, etc. -- something -- but there wasn't even a complete sign left with a vertical orientation. Absolutely nothing! Yet, hubby said he really wanted a pocket. Drats!

So . . . if you look really carefully, (look for the diagonal snippet of red) you will see just a 1/2" wide, bias-cut band at the upper pocket location. I finally resorted to putting in a welt pocket -- in a cotton BarBQ Shirt!! Oh, well, Hubby is Happy and that is very important! He's very pleased with the shirt and all his friends are impressed that the BarBQ signs match up in the center front! Click on either of the pictures for a larger view.


 

January 1, 2010

On the Personal Side . . .

I get asked all the time “How long have you been sewing?”

I was a treadle-machine child - (for you 30-somethings out there, I know that dates me!) The picture at the right is almost exactly what I learned on. The trick was to NEVER stop the treadle quick or the wheel would back up and the thread would break. You learned to have a very smooth foot! I mother bought me a new electric machine when I was 9, which was in the 60's (that as close as I'm going to get to telling how old I am!) But we kept the treadle machine and used it right into the late 1980s. It really did the most beautiful straight stitch you've ever seen.

I started sewing when I was 6, made my clothes all through school, etc. I drifted away for a quite a few years after college when a career in corporate marketing took over my entire life, but those years are behind me now and I am back to my first love of sewing. I am now a garment pattern designer and I get to spend most of my days in my studio and that is FABULOUS!

Over the past several decades, it has become more and more difficult to find garment fabrics - at the same time, the quilting industry has been growing and you can now find fabulous cottons and rayons in the quilt stores. It is my goal to be a bridge of sorts - to design garments that look wonderful in traditional garment fabrics, but will also work well in cottons - and still be stylish. Some of my designs are specifically for garment fabrics, but you will find that many of them, particularly the Jackets and Shirt Club Patterns are fabulous is the gorgeous quilt shop cottons that are available.


January 1, 2010

First Day of a New Blog!

For those of you who have been visiting the Brensan Website for a while, there has been a section called Bren's Bits. I started developing that section of the website because I wanted to have a forum to share tips and techniques on sewing with my customers and friends. Trouble was that the format just wasn't working for me. I would be in the studio sewing away on a project and think "I should talk about this!" but the subject might not really be a tip or technique, etc. . . . so it would never happen.

In 2009 I started the Outfit of the Week section and that has been great fun. I have to make the samples anyway because I make and loan out samples of the patterns to various quilt/fabric stores around the country that sell my patterns. There's just nothing better than a real garment to help a pattern sell! The Outfit of the Week was a way to visually share the various outfits, and any specific tips and techniques that pertained to that outfit, but there still wasn't a way for me to share all the other thoughts I want to share, so . . . . I give up . . another blog is born!

I do wish there was a better word than blog, though. Sounds soooooo much like Blah and sewing should NOT be blah! If anyone thinks of a better word, please let me know, but until then, if you can't beat 'em, join 'em!

I have removed the Bren's Bits area from the website, but will incorporate the tips and techniques that I had included there as time goes by in this blog. If you need something specific, just email me and I will be glad to help.

Website Update . . . . In December we updated the online shopping cart to handle international orders more efficiently. The freight charges are also much closer to accurate as we switched to a weight based system instead of a total price system. As always, since the orders are actually charged in-house, if I CAN reduce the freight, I will. I try to save you enough money to buy more patterns and fabric!

 

 

     
     
     

 


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